Liancourt Rocks
project-argus:


astrotastic:


“The Evolution of Interstellar Flight”
This is a drawing by 11-year old Carl Sagan, everyone. The Library of Congress just recently acquired his personal papers, so we’ll be seeing stuff like this more often.
Also, SPACESHIP REACHES MOON!!!


I think he drew the electron orbits by tracing paperclips.
Also, EPSILON ALTAIR VIII (M-1) SEEN FIT FOR HUMAN HABITATION!!

project-argus:

astrotastic:

“The Evolution of Interstellar Flight”

This is a drawing by 11-year old Carl Sagan, everyone. The Library of Congress just recently acquired his personal papers, so we’ll be seeing stuff like this more often.

Also, SPACESHIP REACHES MOON!!!

I think he drew the electron orbits by tracing paperclips.

Also, EPSILON ALTAIR VIII (M-1) SEEN FIT FOR HUMAN HABITATION!!

freshphotons:

“Fluorescence and Phosphorescence
A uranium glass marble and a rhomb of calcite respectively fluoresce and phosphoresce on a small shortwave (UVC) ultraviolet light. The uranium glass marble exhibits a yellow-green fluorescence. This type of calcite exhibits blue phosphorescence when stimulated with shortwave UV light: it will continue to glow for a few seconds after the UV source is removed.
The marble is about 1.5cm in diameter. Both are transparent under normal light; the calcite is colourless while the marble has a slight yellowish tint.
50mm F/4.0 ISO200 30s”

freshphotons:

Fluorescence and Phosphorescence

A uranium glass marble and a rhomb of calcite respectively fluoresce and phosphoresce on a small shortwave (UVC) ultraviolet light. The uranium glass marble exhibits a yellow-green fluorescence. This type of calcite exhibits blue phosphorescence when stimulated with shortwave UV light: it will continue to glow for a few seconds after the UV source is removed.

The marble is about 1.5cm in diameter. Both are transparent under normal light; the calcite is colourless while the marble has a slight yellowish tint.

50mm F/4.0 ISO200 30s”

The Paris Review: "Henry Miller: The Art of Fiction, No. 28," by George Wickes (Sep. 1961)
INTERVIEWER: You said earlier there’s something inside you that takes over?
MILLER: Yes, of course. Listen. Who writes the great books? It isn’t we who sign our names. What is an artist? He’s a man who has antennae, who knows how to hook up to the currents which are in the atmosphere, in the cosmos; he merely has the facility for hooking on, as it were. Who is original? Everything that we are doing, everything that we think, exists already, and we are only intermediaries, that’s all, who make use of what is in the air. Why do ideas, why do great scientific discoveries often occur in different parts of the world at the same time? The same is true of the elements that go to make up a poem or a great novel or any work of art. They are already in the air, they have not been given voice, that’s all. They need the man, the interpreter, to bring them forth. Well, and it’s true too, of course, that some men are ahead of their time. But today, I don’t think it’s the artist who is so much ahead of his time as the man of science. The artist is lagging behind, his imagination is not keeping pace with the men of science.