Liancourt Rocks

Notebook: "Trojan Horses and Immaculate Math: An Interview with Steven Soderbergh," by Ignatiy Vishnevetsky. »

VISHNEVETSKY: You wrote your own screenplays early in your career. You did some scripts in the 1990s for other directors. Why did you stop writing?

SODERBERGH: A bunch of reasons, the first and most important being that writing is the worst job in the world. [laughs] It’s really horrible.

The New York Review of Books: "The Sweet Troubles of Proust," by Colm Tóibín. »

criterioncollection:

“There is no such thing as a good script.” — John Ford

The New Yorker: "Some Notes on the Novella," by Ian McEwan. »

The New York Times: "What Is Real Is Imagined," by Colm Tóibín. »

“The difference between fact and fiction is like the difference between land and water.”